Thaïs Miller, Ph.D.

Thaïs Miller, Ph.D.
Assistant Professor of Creative Writing
Win Thompson Hall 335
Ph.D. in Literature with a Creative/Critical Writing Concentration from the University of California, Santa Cruz
M.A. in Individualized Study: Creative Writing for Social Activism from New York University’s Gallatin School of Individualized Study
B.A. magna cum laude, Phi Beta Kappa, with Honors in Literature and a Music Performance Minor from American University.
Teaching Specialties :
Biography :
Thaïs grew up in Los Angeles, surrounded by movie theater marquees. She enjoys traveling, and she studied and worked in Washington, DC, New York City, and San Francisco before arriving in Conway.She works at the intersection of literary and speculative fiction. She is the author of the dystopian novel Our Machinery (Brown Paper Publishing, 2008) and a collection of speculative feminist fiction,ÌýThe Subconscious Mutiny and Other Stories (Brown Paper Publishing, 2009).
Thaïs believes in life-long learning, and her creative writing and critical research are intertwined. In her thirties, she learned Yiddish (her grandmother’s first language) to write a speculative novel called Fail Better Soon (Regal House Publishing, 2028) about a woman haunted by her grandmother’s ghost. Her creative and scholarly writing has been featured in ±·²¹²õ³ó¾±³¾,ÌýPoetics Today,ÌýStudies in Popular Culture,ÌýJewish Film and New Media,ÌýThe Common,ÌýThe Jewish Review of Books,ÌýEntropy,ÌýNautilus,ÌýThe Los Angeles Review of Books,ÌýCRAFT,ÌýVol. 1 Brooklyn, and So It Goes: The Literary Journal of the Kurt Vonnegut Museum and Library, among other journals.ÌýShe is currently editing an anthology under contract with Bloomsbury called Reclaiming Creative Critical Writing Ancestors (2028).
She has over fifteen years of professional experience as an editor of multi-genre creative writing. She volunteered for the Center for Fiction and the Brooklyn-based magazine,ÌýOne Story, among other literary organizations. Her teaching is also informed by her film and media industry experience screening films and writing the digital catalogue for the Jewish Film Institute’s San Francisco Jewish Film Festivals as well as reviewing screenplays and short film submissions for Francis Ford Coppola and George Lucas’s film production company American Zoetrope. Many of her in-class exercises are inspired by her prior work in digital advertising and new media, particularly her work as an interactive writer for a robotics company.
Author Website :
